(English) Wines of the Week: Oddero and Jean-Luc & Eric Burguet

(English) Oddero 2016 Barolo 93
Jean-Luc& Eric Burguet 2019 Gevrey-Chambertin Vieilles Vignes Mes Favorites 92
by Ian D’Agata

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Oddero 2016 Barolo                        93

Classic Barolo is made by blending grapes from different vineyard sites, the exact percentages and even the origins of which will vary from year to year depending on the vintage’s characteristics (for example, there’s no sense in putting a lot of Monforte or La Morra grapes into the blend if it hailed there while it did not do so in other communes: better to ramp up the percentage of grapes from other sources, if it is possible for the estate to do so). Fact is, many such Barolos are absolutely superlative wines and often much better than those sporting vineyard area names (what in Italy they call Menzioni Geografiche Aggiuntive or MGAs) many of which are nothing to write home about and that rank, in Burgundian terms, at the Villages quality level at best. Clearly, it’s a little more complicated issue than that, because some producers do treat their classico Barolo wines like entry-level wines, using the estate’s less interesting grapes (or from less interesting sites) to make them. But this is a mistake, for Barolo, when blended from different sites and good grapes, is one of the world’s greatest wines, far more complex than one that exhibits the characteristics of a lesser site. Just think of the great wines, classic blended Barolos, that Maria Teresa Mascarello makes at the Bartolo Mascarello estate. Another very good example of just how good a Barolo tout court can be is given by the stellar Oddero 2016 Barolo, from the historic estate in La Morra and made with grapes grown in the Capalot and Bricco Chiesa MGAs. Bright medium red-ruby in colour, the nose offers enticing nuances of rose, sour red cherry menthol and orange peel. Juicy and fresh on entry, then fuller and savoury in the middle, with refined flavours of sour red cherry, licorice ash and star that are nicely extended on the long back end by a steely core of acidity and tannins that will require some time to round out fully. Aged in large 40-70 hectoliter Slavonian and Austrian oak barrels, put this away and don’t think about it again for another four to eight years. This Barolo is an excellent example of just how good the 2016 vintage is in the denomination, but this classic vintage gave wines that need time and are not as immediately forward and accessible as are, for example, the also excellent 2015s. Drinking window: 2026-2036.

Jean-Luc & Eric Burguet 2019 Gevrey-Chambertin Vieilles Vignes Mes Favorites                            92+

I first tasted this wine in Chicago courtesy of a friend and big-time Burgundy lover. Already close to thirty years ago the wine was famous among Burgundy insiders who clamored for the few bottles they could snatch despite it not being a premier or grand cru. But the fame of the wine, and its inherent quality is such that you can easily understand what all the excitement is all about. Siblings Jean-Luc and Eric have followed in their father’s Alain footsteps seamlessly (they joined the family estate in 1997 and 1999, respectively, and their first vintage completely in charge was the 2011) and the wines are none the worse for wear; in fact, thanks to the brothers the estate has moved from organic farming practices (Alain Burguet was a true pioneer of eco-sustainable/organic farming in Burgundy) to full-fledged biodynamic agriculture. The Jean-Luc & Eric Burguet 2019 Gevrey-Chambertin Vieilles Vignes Mes Favorites is an absolute gem. The nose is powerful and still shut down, hinting at very deep, rich red cherry, smoke, mineral, aromatic herb and grilled meat aromas. Tight and powerful on entry, then rich dense and suave in the middle, the brooding red and dark cherry flavours are nicely complicated by hints of cola, charcoal, violet and a delicate balsamic green, nuance that adds complexity. The long aftertaste features rising polished tannins that will need a few years of cellaring to round out fully. Say what you will about recognizing terroir in the glass, but this wine could really not be made anywhere but in Gevrey-Chambertin! Vinification is traditional, with 100% destemming and aging taking place for about twenty months in 30% new oak. Planted between 1910 and 1970, the youngest of these vines is therefore pushing fifty years of age, making this about as true a “vieilles vignes” wine as you’ll find anywhere. The roughly twenty or so parcels are spread out over the Gevrey-Chambertin wine production area, enabling this cuvee of parcels to be very respective and expressive of this Appellation’s terroir. The estate also farms a very small section of the Premier Cru Les Champeaux and even makes a Chambertin Clos-de-Bèze from bought grapes, but for knowledgeable Burgundy lovers, it is this wine that is the estate’s truly iconic bottling. Not to mention one of Burgundy’s best buys. Drinking window: 2025-2035.

Ian D'Agata

伊安·达加塔在葡萄酒领域耕耘超过30年,在葡萄酒品评、葡萄酒科研写作和葡萄酒教育等方面,都取得了杰出的成果,在葡萄酒行业和葡萄酒爱好者中,享有世界性声望。作为享誉国际的葡萄酒作家,他最近的两本著作《意大利原生葡萄品种》《意大利原生葡萄品种风土》被公认为意大利葡萄酒领域的权威著作;前者荣获2015年Louis Roederer国际葡萄酒作家大奖赛“年度最佳书籍奖”,他是唯一获此殊荣的意大利葡萄酒作家,并入选《洛杉矶时报》、《金融时报》、《纽约时报》评选的“年度葡萄酒书籍”榜单;后者被《纽约时报》和美国的Food & Wine杂志提名为年度最佳葡萄酒书籍。

Ian D’Agata has been writing and educating about wines for over thirty years. Internationally recognized as an distinguished expert, critic and writer on many wine regions, his two most recent, award winning books Native Wine Grapes of Italy and Italy's Native Wine Grape Terroirs (both published by University of California Press) are widely viewed as the "state of the art" textbooks on the subject. The former book won the Louis Roederer International Wine Awards Book of the Year in 2015 and was ranked as the top wine books of the year for the Los Angeles Times, the Financial Times and the New York Times, while the latter was named among the best wine books of the year by Food & Wine Magazine and the NY Times.[:]

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  • Two home-runs in the quality/affordability realm! As prices for single vineyard wines go stratospheric these 2 wines–and there are more!–reveal just how much pleasure one gets from reasonably prices Barolos and Burgundies. Such wines are in many ways even more important than their much more expensive single-site counterparts.

    • Couldn’t agree more, two lovely wines and not expensive at all, considering the wonderful quality they deliver!

Ian D'Agata