(English) Il Ristorante-Niko Romito Beijing

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Located in the beautiful, very sleek, and modern Bulgari hotel well suited to an international clientele, the seventy seats Il Romito restaurant offers a refined setting and pretty views over the park outside. The details are impressive all around, including a refined mood created by warm brown on lighter tan colour contrasts, unbelievably comfortable armchairs (those in the hotel waiting room/lobby outside the restaurant’s entrance) that were in fact so comfortable I really didn’t want to get up anymore, Murano glass chandeliers and a very elegant, sleek feel all around to the main dining room.

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The food is that of Italian chef prodigy Niko Romito, blessed with three Michelin stars in Italy and one here in Bejing. Romito counsels the on-site cooking staff and his cuisine’s philosophy is on full display in Bejing as it is elsewhere, with only apparently simple preparations aiming to reach levels of purity and focus that typify the best in Italian cooking and its recipes. In fact, Italy’s cuisine really is mostly about the freshness of the ingredients rather than their transformation. In correctly executed Italian dishes made with properly sourced and authentic Italian ingredients, the essence, the terroir (the soul even) of the latter are allowed to sing in each plate or bowl. But a certain degree of dexterity is required in Italian cuisine nonetheless, and this combination of the right ingredients and technical prowess is of paramount importance in allowing one to achieve success in executing Italian recipes. But it’s not easy. On this night we had a good meal, but from a place with a similar culinary pedigree, and with similarly outstanding service in a likewise outstanding setting, one expects more food-wise. For example, while the filling of the codfish ravioli was unabashedly excellent, the excessive thickness of the ravioli pasta was considerably less than outstanding. The marinated sea bream was very pure and clean in its flavour profile and thoroughly excellent, but the oscietra caviar was noticeably less intensely perfumed and nutty than many other examples of Acipenser Gueldenstaedetil (the Russian Oscietra sturgeon) eggs I have had before. Little things that are mostly a matter of fine tuning.

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The dinner’s wines were spectacular. I cannot think of too many better ways to start off a dinner than with a marvelous wine from Bouzeron, and the 2018 A&P de Villaine Bouzeron is most certainly just that. In fact, the 2009 is a thing of beauty, very pretty already to look at with its golden tinged pale straw-green hue. At once powerful yet light on its feet, with a bright mineral overlay neatly focusing the vanilla-accented and very pure lemony, buttery and custard cream nuances that the Aligoté Doré variety can deliver in slightly warmer years when it achieves noteworthy levels of ripeness. Bouzeron is an outstanding Appellation of the Côte Chalonnaise the wines of which are underrated and less well known than they should be. Clearly, the A&P de Villaine estate is an outlier in the area: for example, this 2018 is the equal of many more famous Côte de Beaune whites. Next up a Chablis from one of my favourite grand crus. The very pretty Moulin de Vaudon, an eighteenth century watermill straddling the Serein river, is the headquarters of Drouhin’s Chablis operations, launched back in the 1960s when Robert Drouhin understood the potential of an area abandoned because of the cold weather and the ravages caused by phylloxera. The 2017 Drouhin-Vaudon Chablis Grand Cru Vaudésir is a beauty, so light on its feet that it can function as a marvelous aperitif but with sneaky concentration such that it can stand up to more complex dishes as well. The grapes have been organically grown since 1990 and biodynamically farmed since 1999, and the wine is magically pure and mineral, a real essence of Kimmeridgean limestone-accented steely fruitiness. For a Chablis grand cru, it is drinking surprisingly well already, but will be just lovely to drink over the next fifteen years, and likely more. However, I don’t see too many people allowing this beauty to age all that much, given how much fun it is to drink already now. Though painfully young, the 2018 Thibault Ligier-Belair Corton Les Renardes promises to be a real star, with noteworthy depth and complexity and years of fine development ahead. From vines planted in 1956 and located at mid-slope in what is probably the best part of this cru, it is a rare Corton marked not so much by power but by finesse, something in no small measure due to the limestone vein that runs right there (and in fact this is a rare site in that there is more limestone at the bottom of the hill and more clay at the top, which is the opposite of what is usually true in most other crus). I had had a couple of bottles of the 2007 Domaine Ponsot Clos de la Roche Cuvée Vieilles Vignes just a few weeks before this dinner and had found there to be just a touch of variability between them. As always, storage is a real issue with older wines and unless provenance is assured, the result you may end up getting for your hard earned cash might be less than ideal. But the bottle we had on this night was simply superb, in fact probably the best example of this iconic wine from 2007 I have ever tried. Pure and perfumed, with a sleek and refined mouthfeel but plenty of pure Pinot Noir fruit and real Morey St.Denis power, this beautiful red Burgundy, though understandably no longer a spring chicken, was still very young and lively. The delicate aromas and flavours of iron shavings, small red berries, smoked beef and earthtones were at once beguiling, concentrated and powerful yet also refined and light on their feet.

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The 2008 Chateau Palmer Margaux is simply a marvelous wine from a vintage that was underrated at the time of the Primeurs but has turned out better than expected. This wine is everything a classic great Bordeaux is all about: no overripe aromas of black fruits and high alcohol, no abnormally high PHs and soft sweet mouthfeels, but rather pure, refined and sleek delivery of Margaux terroir- filtered expressions of Cabernet Sauvignon and old vine Merlot (Palmer is famous for the quality of its Merlot vines). Even better, it is drinking just beautifully now and will last another twenty years easily. The 1999 Gaja Sorì Tildin is one of the best versions ever of this wine, made with Nebbiolo grown in the outstanding Roncagliette vineyard and a percentage of Barbera (this is why the wine label does not carry the word Barbaresco; today, Sorì Tildin is a Barbaresco again). Deep, luscious, clean and well balanced, this ‘99 is impossible not to like and showcases well the fleshy rich style that was typical of this wine in those years. A real crowd pleaser, this has always seemed to me to be one of the most successful versions of Sorì Tildin from that time period. Last but certainly not least, we closed our meal with the spectacular 1990 Domaine de la Romanée Conti Grands Échézeaux. There is simply not much I can say, save that it is quite simply one of the best red wines I have ever tasted and by far the best Grands Échézeaux I have ever had. The words “great wines” are thrown around quite a bit these days and I dare say there are now different shades of “great”, but certainly the moment in time you drink a wine in also plays a role. And so, while a DRC La Tache or Richebourg from 2005 or 2009 might one day prove superior to this Grands Échézeaux, the fact remains that at the present time this still very young wine is drinking so superbly, so perfectly even, that it is of a level of greatness that is superior to that of younger wines from more famous sites (and hence my score, higher than that that of most other wine writers). A magical and extremely powerful potion of red cherry, minerals, oriental spices, soy sauce, balsamic vinegar and violets, I simply have never had a Grands Échézeaux remotely as good as this one. Granted, the combination of a century type vintage (1990 is one of the best Burgundy vintages of all time) and the talent level at DRC is such that magic results more often than not, but this 1990s is of a scale, breadth and complexity that is hard to fully express in words. What made this particular bottle even more unforgettable was the pristine shape the wine was in, still youthful and with many decades of life ahead. It certainly contributed to making a fun, memorable evening that much more memorable.

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Il Ristorante-Niko Romito

Bulgari Hotel Bejing

No.8 Xinyuan South Rd, Beijing

+86 10 85558555

The dinner

Marinated seabream, oscietra caviar, sour cream and extra virgin olive oil
(Orata marinata, caviale oscietra, panna acida e olio extra vergine di oliva)

Steamed langoustines with mayonnaise of langoustines, lettuce and chili pepper
(Scampi al vapore con maionese di scampi, lattuga e peperoncino)

Homemade codfish ravioli, beans, codfish sauce and marjoram
(Fagottino di baccala, fagioli, salsa di baccalà e maggiorana)

Baked codfish with chickpeas and garlic sauce, traditional balsamic vinegar
(Merluzzo carbonaro, con salsa di ceci, aglio arrostito e aceto balsamico tradizionale)

Bread and chocolate
(Pane e cioccolato)

The wines

2018 A&P Villaine Bouzeron         93

2017 Joseph Drouhin – Vaudon Chablis Vaudesir            93

2018 Thibault Ligier-Belair  Corton Les Renardes        93

2007 Domaine Ponsot Clos de la Roche Cuvée Vieilles Vignes           94

2008 Chateau Palmer Margaux              95

1999 Gaja Sorì Tildin         95

1990 Domaine de la Romanée Conti Grands Échézeaux   98

Ian D'Agata

伊安·达加塔在葡萄酒领域耕耘超过30年,在葡萄酒品评、葡萄酒科研写作和葡萄酒教育等方面,都取得了杰出的成果,在葡萄酒行业和葡萄酒爱好者中,享有世界性声望。作为享誉国际的葡萄酒作家,他最近的两本著作《意大利原生葡萄品种》《意大利原生葡萄品种风土》被公认为意大利葡萄酒领域的权威著作;前者荣获2015年Louis Roederer国际葡萄酒作家大奖赛“年度最佳书籍奖”,他是唯一获此殊荣的意大利葡萄酒作家,并入选《洛杉矶时报》、《金融时报》、《纽约时报》评选的“年度葡萄酒书籍”榜单;后者被《纽约时报》和美国的Food & Wine杂志提名为年度最佳葡萄酒书籍。

Ian D’Agata has been writing and educating about wines for over thirty years. Internationally recognized as an distinguished expert, critic and writer on many wine regions, his two most recent, award winning books Native Wine Grapes of Italy and Italy's Native Wine Grape Terroirs (both published by University of California Press) are widely viewed as the "state of the art" textbooks on the subject. The former book won the Louis Roederer International Wine Awards Book of the Year in 2015 and was ranked as the top wine books of the year for the Los Angeles Times, the Financial Times and the New York Times, while the latter was named among the best wine books of the year by Food & Wine Magazine and the NY Times.[:]

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Ian D'Agata