Wines of the Week: Cave Spring & Collazzi

Cave Spring 2017 Riesling CSV Beamsville Bench 94
Collazzi 2018 Chianti Classico I Bastioni 93
By Ian D’Agata

Cave Spring 2017 Riesling CSV Beamsville Bench                           94

Cave Spring is one of Canada’s best wineries and has a very long track record (at elast in terms of Canadian wine history, but Cave Spring was one of the first in the country to plant vinifera varieties and stick with them at a time when most people thought hybrids were the only way to go) to prove it. The estate makes a bunch of different wines at many different levels of concentration and cost and from many different grape varieties (and many others have been tried over the years: I often find myself thinking that long-time winemaker Angelo Pavan must have some Alsatian blood in him!). However, the best of a very fine lot of wines is, and always has been, the estate’s Riesling CSV, 100% Riesling grown in the Cave Spring Vineyard (CSV) in the Beamsville Bench Designated Viticultural Area. The vineyard is where some of the winery’s best and oldest plots of vines are found (vines that are now close to 50 years old, so we’re talking real vieilles vignes or vv wine here). It’s a vineyard I have walked many times over the years, and besides being one of the most beautiful in Ontario, it is also one where terroir speaks loudly: closed off to the outside elements not by a wall (as in a clos) but by a forest, its complex soil geology of limestone and dolostone mixed with shale, sandstone, granite and gneiss overlying a shale/sandstone bedrock, the gentle 3-6% slope and moderate elevation (125-155 meters above sea level) combine to give a very expressive light on its feet yet dense wine that ages gracefully and easily for ten years and more. The Cave Spring 2017 Riesling CSV Beamsville Bench is one of the best young CSVs in years. Pretty golden-tinged straw-green in colour, it offers pure, piercing aromas and flavours of apricot, pink grapefruit, white peach, Asian pear (believe me: I should know, I live in China) complicated by hints of wet stone, hazelnut, diesel fuel, chamomile and fennel. Beautifully linear and taut, and yet with a creamy, seamless quality, it leaves behind a lingering nuance of tangerine and minerals. Clocks in at 8 g/L residual sugar and 6.8 g/L total acidity (and a 3.19 pH), so it tastes classically dry, this beauty spent six months on the lees and was made using indigenous yeasts. One of Canada’s most iconic wines I have done I don’t know how many verticals of over the years, Cave Spring’s Riesling CSV rarely misses a beat, and it’s no different in the 2017 vintage. Bravi! Drinking window: now-2030.

Collazzi 2018 Chianti Classico I Bastioni                                    93

Made from roughly twenty year old vines, this blend of 78% Sangiovese, 18% Merlot and 2% Malvasia Nera, has done nothing but improve by leaps and bounds over the years (as have in fact all of Collazzi’s wines). The estate’s wines are much more graceful and lifted today than they once used to be, but in fairness Collazzi’s Chianti Classico I Bastioni has been a standout ever since its first release. Not only, but of Tuscany’s seemingly never-ending (because it’s so long) lineup of  beautiful wine estates, the Collazzi estate is in fact one of the most beautiful, designed in 1560 by none other than Michelangelo himself for Agostino Dini, a good friend. I still remember vividly when, roughly fifteen years ago in the company of Lamberto Frescobaldi while visiting and tasting from the cellar, I first leaned from the magnificent garden grounds balcony offering truly spectacular, commanding view of the surrounding countryside (though I Collazzi is a property of the Marchi brothers, Carlo and Bona, who have invested heavily in the developing and improving Collazzi, the estate has been managed for some time by Frescobaldi, a family relative). The Collazzi 2018 Chianti Classico I Bastioni is red-ruby and bright in colour. Very inviting aromas will remind you of red and dark berries, sweet spices, flint, even a touch of black cherry marmelade, all lifted by a fragrant violet top-note. Then fine-grained and refined, with harmonious acidity nicely extending the ripe but lively flavours on the long, juicy finish. Last but certainly not least, a hint of savoriness speaks of the mostly clay-stony soil with limestone inclusions, while the gentle texture reminds one of the San Casciano Val di Pesa territory. Well done. Drinking window: now-2028.

Ian D'Agata

伊安·达加塔在葡萄酒领域耕耘超过30年,在葡萄酒品评、葡萄酒科研写作和葡萄酒教育等方面,都取得了杰出的成果,在葡萄酒行业和葡萄酒爱好者中,享有世界性声望。作为享誉国际的葡萄酒作家,他最近的两本著作《意大利原生葡萄品种》《意大利原生葡萄品种风土》被公认为意大利葡萄酒领域的权威著作;前者荣获2015年Louis Roederer国际葡萄酒作家大奖赛“年度最佳书籍奖”,他是唯一获此殊荣的意大利葡萄酒作家,并入选《洛杉矶时报》、《金融时报》、《纽约时报》评选的“年度葡萄酒书籍”榜单;后者被《纽约时报》和美国的Food & Wine杂志提名为年度最佳葡萄酒书籍。

Ian D’Agata has been writing and educating about wines for over thirty years. Internationally recognized as an distinguished expert, critic and writer on many wine regions, his two most recent, award winning books Native Wine Grapes of Italy and Italy's Native Wine Grape Terroirs (both published by University of California Press) are widely viewed as the "state of the art" textbooks on the subject. The former book won the Louis Roederer International Wine Awards Book of the Year in 2015 and was ranked as the top wine books of the year for the Los Angeles Times, the Financial Times and the New York Times, while the latter was named among the best wine books of the year by Food & Wine Magazine and the NY Times.[:]

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Ian D'Agata