Wines of the Week: Château Poujeaux & Paolo Saracco

Château Poujeaux 2015 Grand Vin Moulis-en-Médoc 94
Paolo Saracco 2023 Moscato d’Asti  95
by Robert Millman & Ian D’Agata

Château Poujeaux 2015 Grand Vin Moulis-en-Médoc             94

The 2015 Château Poujeaux is a great example of what happens to an excellent wine that doesn’t have the pedigree of more famous names in an important wine production area. Because Poujeaux is “just” in Moulis, and because its name is not as highly considered as that of a Latour or Haut-Brion, an absolutely excellent wine like this layered, delicious 2015 gets saddled with a litany of scores in the 90-92 range, if not lower. That’s not just fair, because the wine is delicious and deserves better: and so the problem lies not with the wine, but with the wine writers.

Château Poujeaux’s history van be traced all the way back to the sixteenth century CE. Believe it or not, it was owned then by none other than Gaston De L’Isle, also owner of Câteau Latour in Pauillac, though at the time Château Poujeaux was known as La Salle de Poujeaux. Over the years, the estate has known both good and bad times, as has all Bordeaux, with things finally stabilizing in 1921 when it was bought by the Theil family. Importantly, the family was able to buy back and reunite all the previously sold and divided sections of Château Poujeaux. In 2008, Jean Theil sold the property to the Cuvelier family, and thus the most recent, modern, course of the estate is well under way. In rather typical Cuvelier family management style, along with the consulting help of Stéphane Derenoncourt, they have proceeded to lower yields and pick much later: the ripeness and sweetness of the fruit is in fact a hallmark of this gorgeous 2015 Château Poujeaux.

Deep, saturated ruby-red. Offers inviting aromas of very sweet dark berries, cassis, coffee and complicating earthtones, lifted by a deep, perfumed violet topnote. Broad, creamy and open-knit in the mouth, this showcases lovely sweet and silky flavours of blackberry, vanilla, mocha and sweet pipe tobacco, but again with an inviting inner-mouth violet perfume. A blend of 50% Cabernet Sauvignon, 42% Merlot, 6% Petit Verdot and 2% Cabernet Franc, this is one Bordeaux red you shouldn’t miss. It’s also a very good buy for the money. Drinking window: 2024-2035.

Paolo Saracco 2023 Moscato d’Asti                        95

Simply put, Moscato d’Asti just doesn’t get better than this. But Paolo Saracco’s talent is such that his wine elevates to a whole other level, such that it can no longer be evaluated in comparison to, and on the basis of, Moscato d’Asti wines alone. Rather, it has to be considered on its rightful stage, that of the world’s best white wines.

While the 2022 Moscato d’Asti from this winery was also delicious, the hot growing season made for a much creamier, even oily, and less lifted and nuanced Paolo Saracco Moscato d’Asti than usual. No such problem with this drop-dead gorgeous 2023, which is a work of art: magically well-balanced, with an equilibrium between sugar and acid that ought to be studied, it is an essence of Moscato d’Asti wine, made with grapes mostly from the territories of the communes of Castiglione Tinella, Santo Stefano Belbo, Castagnole Lanze and Calosso, picked from vineyards planted at relatively high altitudes on mostly sandy, limestone and loamy soils.

Bright pale straw-green colour. Intense aromas of orange flower, tangerine, mint, vanilla, thyme and jasmine on the captivating nose complicated by a mineral lift: there is something vaguely Riesling-like about this gorgeous nose. Then similarly mineral in the mouth, with utterly pure white stone fruit and citrus flavours, with a glyceral texture and an enticing inner-mouth perfume that lingers impressively on the suave, juicy and sweet back end. I have no doubts this will prove to be one of the most delicious fun wines you’ll try this year. Try it with tiramisù, millefeuille, and a citrus-accented fruit cocktail. Heck it’s so good, and boasts only 6% alcohol or so, that my advice is just to go ahead and drink it on its own, and/or as an aperitif, and/or as a breakfast good morning, and/or as a nightcap, and in all the moments in between. You can thank me later. Drinking window: 2024-2029.

 

Ian D'Agata

伊安·达加塔在葡萄酒领域耕耘超过30年,在葡萄酒品评、葡萄酒科研写作和葡萄酒教育等方面,都取得了杰出的成果,在葡萄酒行业和葡萄酒爱好者中,享有世界性声望。作为享誉国际的葡萄酒作家,他最近的两本著作《意大利原生葡萄品种》《意大利原生葡萄品种风土》被公认为意大利葡萄酒领域的权威著作;前者荣获2015年Louis Roederer国际葡萄酒作家大奖赛“年度最佳书籍奖”,他是唯一获此殊荣的意大利葡萄酒作家,并入选《洛杉矶时报》、《金融时报》、《纽约时报》评选的“年度葡萄酒书籍”榜单;后者被《纽约时报》和美国的Food & Wine杂志提名为年度最佳葡萄酒书籍。

Ian D’Agata has been writing and educating about wines for over thirty years. Internationally recognized as an distinguished expert, critic and writer on many wine regions, his two most recent, award winning books Native Wine Grapes of Italy and Italy's Native Wine Grape Terroirs (both published by University of California Press) are widely viewed as the "state of the art" textbooks on the subject. The former book won the Louis Roederer International Wine Awards Book of the Year in 2015 and was ranked as the top wine books of the year for the Los Angeles Times, the Financial Times and the New York Times, while the latter was named among the best wine books of the year by Food & Wine Magazine and the NY Times.[:]

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Ian D'Agata